Re: Consecutive trills

[Hans Åberg]

> On 29 Apr 2022, at 19:06, Kieren MacMillan <kieren@kierenmacmillan.info> 
> wrote:
> 
>>> As far as I know that's not a notation rule, but I agree that it makes more 
>>> sense to use the trill + wavy line for tied notes.
>> I haven't seen "tr" plus chevron on a single untied note
> 
> When it’s a chain of trills — some tied, others single — I find the 
> consistency [of using the wavy line on *all* trills, and not just the tied 
> notes] is appreciated by conductors and performers.

In BWV 1067, first movement, there is for the flute a long note with several 
ties with a trill span ending somewhere in the middle, indicating the length of 
the trill followed by untrilled part. I do not know if Bach himself write it 
that way, but I found it useful in Balkan music, where it is common to not have 
an alteration on the last 16th of say a trilled dotted 8th note. I decided to 
write that with an 8th having a "tr" tied to a following 16th, otherwise those 
not accustomed with the style would not know how to play it (and I find it is 
hard to remember). Trilled notes can be syncopated in Balkan music, and then it 
may be necessary to use a trill span. Hindemith, "Elementary Training", says 
that on short notes, a trill can have only one alteration. This occurs in 
Balkan music, but I decided to write a prall sign as it is more compact.