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The greatest artists of all time

Mona Lisa

This list of artists and artworks (and this Website as a whole) is intended primarily for the benefit of EM(angry young men), the most murderous of all genders and age groups. I know first hand what it is to be an angry young man because I used to be one myself. When an angry young man finds a woman who understands him he ceases to be angry, as the interaction with the female develops the man’s sense of the beautiful, which stops him from seeing things in austere terms and more in beautiful terms. This list represents a snapshot of my knowledge of art at the present time and will most likely change as I discover and analyse more art. See the not so hot list for items not worthy of inclusion in the following list.


Art mirrors the wiring of the human brain. The extent to which decisions of the merit of a piece of art are objective is the extent to which the wiring of the human brain is the same in different individuals. The extent to which decisions of the merit of a piece of art are subjective is the extent to which the wiring of the human brain is different in different individuals. For example: In approximately 99.9% of individuals it is natural to prefer the taste of fine wine to the taste of urine. Therefore it is 99.9% objectively true that wine is better "art" then urine.


RankArtist
1 =

Leonardo da Vinci was an artist whose studies of natural philosophy anticipated modern science. His paintings include such features as classically beautiful model subjects beautified still further by exquisitely soft shadows and river-like flowing hair. The landscapes in the background of his paintings also feature a dreamy quality. Here are some of his definitive work (in order of decreasing merit):

  1. EM(The Mona Lisa) (1503 - 1507) is probably the most famous and greatest painting/artwork of all time.
  2. EM(The Last Supper) (1495-1498) is a famous painting of Christ’s last meal.
  3. EM(The Virgin of the Rocks) (1483-1486 for the Louvre version and 1495-1508 for the London version) is a pair of nearly identical paintings by da Vinci.
  4. EM(The Virgin and Child with St. Anne and St. John the Baptist) (ca. 1499-1500) is a full-size cartoon drawing.
  5. EM(The Vitruvian Man) (ca. 1490) is a famous drawing of the proportions of an ideal man.
  6. EM(The Virgin and Child with St. Anne) (ca. 1508) is a painting that inspired his contemporary Michelangelo Buonarroti’s EM(Doni Tondo) (see the next entry).

In terms of the realistic depiction of classically beautiful human forms da Vinci is rivalled by Michelangelo whose definitive works include (in order of decreasing merit):

  1. EM(David) (1501-1504), is probably the most famous and greatest sculpture of all time.
  2. EM(The Sistine Chapel) (1508-1512) is an astonishing collection of paintings depicting scenes from The Bible located on the ceiling and rear wall of the Sistine Chapel.
  3. EM(Pietà) (1498-1499) is the most exquisitely beautiful sculpture of the Virgin Mary cradling the dead body of her son Jesus Christ.
  4. EM(The Doni Tondo) (1503-1504) is also known as the EM(The Holy Family).

Michelangelo was primarily a sculptor. Although he also painted, his paintings have a sculptural quality to them, as if he had created the sculpture in his mind and then painted that.

Ludwig Van Beethoven for writing what is probably the greatest musical work of all time, his epic EM(Symphony No. 9 in D Minor) (Opus 125, 1822-1824), written while he was deaf. This symphony consists of a thunderstorm-like dissonant first movement, a dance-like second movement, a lyrical meandering third movement and a fourth movement that reprises the first three and adds singers to the mix, which was a first for a symphony. Like Jimi Hendrix’s best work (see later) this artwork preaches the doctrine of Universal Emancipation. His Symphonies No.s 3 and 5 also approach Symphony No.9 in terms of greatness. Beethoven’s music expanded vastly on the classical style of the time established by Mozart (see the next entry) and Haydn (see later) to create a new genre known as EM(Romanticism), which anticipated further developments by such visionaries as (in order of increasing year of birth): Wagner (see later), Tchaikovsky (see later), Schoenberg (see later) and Webern (see later).

Wolfgang Amadeus Mozart for his late symphonies and other works, listed below roughly in order of decreasing merit:

  1. Symphony No. 41 (K551, Jupiter)
  2. Symphony No. 40 (K550)
  3. Symphony No. 39 (K543)
  4. The Four Horn Concertos (K386b, K495, K447 and K417).

Mozart’s chief gifts were for melody and a deep appreciation and understanding of the classical style of the time. Mozart was like a rock star before rock stars were invented. It would be interesting to find out if female concert-goers would throw their panties at Mozart as he presented a concert much like the twentieth century crooner Tom Jones!

5 =

Richard Wagner for writing the four epic operas that comprise EM(The Ring Cycle) (1848-1874). An ideal introduction to Wagner for novices is the single opera EM(Tannhäuser) (1845). If you liked EM(Star Wars) (see later) or EM(The Lord of the Rings) (see later) then Wagner’s Ring Cycle is like these on steroids. Wagner’s differentiation between the Gods and the Men in his operas mirrors the differentiation of workers and their employers in real life: The Gods all have different motives and thoughts whereas the men always talk in unison and therefore all have the same motives and thoughts. His music especially EM(Das Rheingold) (the first opera of the Ring Cycle) opens up a new sound world of dissonance, which takes some getting used to. As a play-writer I prefer Wagner over William Shakespeare because my brain prefers words and music to merely spoken text and because the language of Shakespeare’s plays is written in a kind of old English that makes it hard for modern ears to interpret what is being said. In the same vein Wagner’s operas benefit from translation from his native old German tongue into modern English (although to perform them in English would lose all the German rhyme and alliteration). I have talked to a German person and apparently the same is true for Wagner and the Germans that is true for Shakespeare and the English. About Shakespeare, I must say that I gain some enjoyment from the modern takes on the bard such as Baz Lurhmann’s EM(Romeo + Juliet) (1996) Although I do not like Shakespeare that much, I realize that to omit him from a list of the greatest artists of all time would be something of a travesty so I include him here as an equal to Wagner. In particular Wagner’s concept of the EM(Gesamtkunstwerk) (or QQ(total artwork)) anticipated modern cinema.

Johann Sebastian Bach for writing EM(The Mass in B Minor) (BWV 232, 1724-1749). If this piece can’t convert you from being a rock / pop aficionado to a broader appreciator of beautiful voices integrated with beautiful music (such as EM(bel canto) opera and EM(Lieder)) then nothing will! Some of the best examples of beautiful voices that are available as recordings include (in alphabetical order of last name): Dame Julie Andrews (see later), Agnes Baltsa (see later) Maria Callas (see later), Plácido Domingo (see later), Dame Emma Kirkby (see later), Dame Elisabeth Schwarzkopf (see later), Cheryl Studer (see later), Bryn Terfel (see later), Dawn Upshaw (see later) and New Zealand’s own (in order of decreasing merit): Dame Kiri Te Kanawa and Dame Malvina Major.

Jane Austen for writing EM(Pride and Prejudice) (1813) and is the best novelist of all time. I recommend the version of Pride and Prejudice that is annotated and edited by David M. Sheppard. Here is why:

QQ(Of course one can enjoy the novel without knowing the precise definition of a gentleman, or what it signifies if a character drives a coach rather than a hack chaise, or the rules governing social interaction at a ball, but readers of Pride and Prejudice will find that these kinds of details add immeasurably to understanding and enjoying the intricate psychological interplay of APOS(Austen)s immortal characters.)

The gossipy nature of Austen’s portrayal of the interplay between the sisters of the Bennett family makes it easy to tell that this book was written by a woman! I recommend Austen with the following caveat: Austen’s writing is often too clever for my tastes. Most of the jokes go over my head and the sentence structures are often unnecessarily complex. Here is what Sheppard wrote of the book:

QQ(DOTS it is hard to imagine that the type of people who populate this novel would ever be so quick with so many ingenious and pithily phrased rejoinders to one another.)

The same is true of Shakespeare and Wagner. In particular, there are an excessive number of double negations, for example: EM(and it shall not be my fault if we are not always good friends). Austen’s writing stretches the limits of what would be believably spoken by characters of that era or any other era. Again, excessive QQ(cleverness) makes its presence known to the reader. Her other books, EM(Emma) (1815) and EM(Sense and Sensibility) (1811) are great too.

Franz Schubert whose use of melody was a rival to Mozart (see earlier) and through his EM(Lieder) he invented the concept of the EM(Art song).

10 

Joseph Haydn, born as Franz Joseph Haydn, who was a major influence on Mozart (see earlier) and Beethoven (see earlier). He is also known as QQ(EM(The Father of the Symphony)) and QQ(EM(The Father of the String Quartet)).

11 

Herman Melville for writing EM(Moby Dick) (1851), also known as EM(The Whale). It tells the story of a man called Ahab who is obsessed with capturing a great white whale called Moby Dick.

12 

Charles Dickens for writing a novella: EM(A Christmas Carol) (1843) which tells a tale of a person who learns that a life devoted to selfishness is ultimately unfulfilling. Luckily this person changes their ways before the end of the story so that they are able to enjoy the rewards of loving thy neighbour. His other book EM(Great Expectations) (1860-1861), about the growth and personal development of an orphan named Pip, is great too.

13 

F. Scott Fitzgerald, short for Francis Scott Key Fitzgerald, for writing EM(The Great Gatsby) (1925) which is a story of life in America during the 1920’s. His other book EM(Tender is the Night) (1934) which is a tale about life in the French Riviera during the 1920’s is worth a read too.

14 

James Joyce for writing EM(A Portrait of the Artist as a Young Man) (1916). This book is heavy reading but deserves its place as one of the greatest books of the twentieth century. And this is not because this book contains a character called (like my own first name) Davin!

15 

Mark Twain, born as Samuel Langhorne Clemens, for writing EM(The Adventures of Tom Sawyer) (1876) and EM(The Adventures of Huckleberry Finn) (1884). As he famously said: QQ(The reports of my death have been grossly exaggerated!) William Faulkner (see later) called Twain QQ(EM(The Father of American Literature)).

16 

The Beatles whose music is like the sun: hating The Beatles is akin to hating the sun, no person in their right mind can do this. They sung and played like Schubert (see earlier). They also pioneered the use of studio trickery to create new musical sounds that never existed before technology made them possible. Their best three works are all from the same time period (the mid sixties) and were released in succession to one another. Here they are (in order of decreasing merit):

  1. EM(Sgt. Pepper’s Lonely Hearts Club Band) (1967). Very clever use of melody and pushing the boundaries of what is technically possible in a studio, even with the measly four tracks that were available to them. Albums from other artists that take the studio trickery of Sgt. Pepper to its logical conclusion include Pink Floyd’s stoner album EM(The Dark Side of the Moon) (see later), The Soft Machine’s EM(Third) (see later) and The Orb’s ambient house music album EM(U.F.Orb) (1992).

  2. EM(Revolver) (1966) anticipated the sophistication of Sgt. Pepper. Although Sgt. Pepper is a greater work, most us have fonder memories of Revolver as it does not tend to annoy us as much as Sgt. Pepper can.

  3. EM(Rubber Soul) (1965) set the scene for lyrics influenced by Bob Dylan (see the next entry).

The output of the group exceeded the sum of its parts, the truth of which can be seen by the comparing the high standard of recordings they made as a group with the lower standard of recordings they made as solo artists. The legacy of The Beatles stretches long (in time) and wide (in influence) including such bands as New Zealand’s own Split Enz and Crowded House.

17 

Bob Dylan, born as Robert Allen Zimmerman, who brought intelligent lyrics into popular music and although nobody would say he had a beautiful voice his genius like Billie Holiday (see later) lay in the many different artful ways that he deployed it. The reason he gets such a high ranking in this list (apart for his ground breaking lyrics) is because his albums have showed us that he has a deep understanding of many different musical styles, including folk, blues, rock and country. At his best his style could be characterized as stream of consciousness language plus absurdest humour. Whatever the musical style, he promises to never let you fall asleep while listening to him. The following Dylan lyric is relevant:

QQ(The country music station plays soft but APOS(there)s nothing really nothing to turn off.)

Like The Beatles, his best three works are all from the mid sixties and were released in succession to one another. For this reason the canon of The Beatles and Bob Dylan in the mid sixties is considered by many of us to be the pinnacle of all art in the twentieth century. Here they are (in order of decreasing merit):

  1. EM(Highway 61 Revisited) (1965). This album, like some of Wagner’s operas sounds too harsh for novices, but after repeated listening the listener is rewarded by the opening up of a whole new sound world, a sound world populated by those of us with a bad case of (teenage) angst. Every song on this album is a classic and the harsh angry young man language and the dissonant music feed off of each other to create a synthesis not seen since trumpeter Louis Armstrong played against singer Bessie Smith on the track: QQ(The St. Louis Blues) (see later).

  2. EM(Blonde on Blonde) (1966). Although containing some weaker material (e.g. QQ(Rainy Day Women DOTS)) it is sung with such subtle and ingenious phrasing reminiscent of Billie Holiday that it is something of a rarity in music. The variety of singing employed on the album coupled with psychedelic language and flowery ornamental music create a beautiful and memorable package.

  3. EM(Bringing It All Back Home) also known as EM(Subterranean Homesick Blues) (1965), which spends half of the album saying goodbye to folk music, half saying hello to a new kind of Beatles-inspired rock music.

Like Shakespeare versus Wagner, I prefer Dylan’s work to Shakespeare because my brain prefers music and voice to mere text alone and because Dylan’s language is closer to the language of today, making it more relevant. Dylan’s voice harks back to a earlier singers (in order of decreasing year of birth): Elvis Presley (see later), Johnny Cash (see later), Chuck Berry (see later), John Lee Hooker (see later), Frank Sinatra (see later), Muddy Waters (see later), Woody Guthrie (folk) and Robert Johnson (see later). Dylan's recent album EM(Modern Times) (2006) is a classic too. Dylan’s legacy extended to practically all singers that followed him including (in order of increasing year of birth): Paul Simon (see later) Lou Reed (The Velvet Underground (see later)), Neil Young (see later), Dolly Parton (see later), Patti Smith (see later), Bruce Springsteen (see later), Mark Knopfler (Dire Straits (see later)), Micheal Stipe (R.E.M. (see later)), Tracy Chapman (see later), Kurt Cobain (Nirvana (see later)), P.J. Harvey (see later) and New Zealand’s own (in order of decreasing merit): Bic Runga and Emma Paki and others.

18 

Anne Frank for writing EM(The Diary of a Young Girl) (1947) which is the true story of the life of the Frank family and a collection of other Jews in hiding during the NAZI occupation of the Netherlands in the Second World War.

19 

Joseph Heller for writing EM(Catch-22) (1961), a novel about the insanity of war.

20 

Vladimir Nabokov for writing EM(Lolita) (1955) about a man who is infatuated by a 14 year old girl. His other book EM(Pale Fire) (1962) is not too bad either.

21 

Aldous Huxley for writing (in order of decreasing merit): EM(Brave New World) (1932), EM(Point Counter Point) (1928) and EM(The Doors of Perception) (1954) is not too bad either, about Huxley’s experimentation with the drug Mescaline and which served as the inspiration for Jim Morrison’s band name EM(The Doors).

22 

D.H. Lawrence, short for David Herbert Lawrence, for writing (in order of decreasing merit): EM(Sons and Lovers) (1913), EM(The Rainbow) (1915), EM(Women in Love) (1920) and EM(Lady Chatterley’s Lover) (1928).

23 =

Arnold Schoenberg, Anton Webern and others comprise the Second Viennese School of music. The First Viennese School was (in order of increasing year of birth) Haydn (see earlier), Mozart (see earlier) and Beethoven (see earlier). Their music can be accurately described as being atonal which means that their music lacked a home key. In particular, melody is replaced with dissonance. Webern’s definitive output can be found in Sony Classical’s 1978 recital of Webern’s work conducted by Pierre Boulez with his usual attention to rhythmic detail. Boulez also conducts Schoenberg well too.

25 

Pytor Ilyich Tchaikovsky is a famous classical composer, best known for his ballets and symphonies. His greatest ballets include EM(Swan Lake) (1876), EM(The Sleeping Beauty) (1889) and EM(The Nutcracker) (1892)

26 

Eric Dolphy for producing the jazz album: EM(Out to Lunch!) (1964), once voted EM(The Wire) magazine's reader's top jazz album of all time.

27 

Louis Armstrong as part of the EM(Hot Fives) (1925-1927,1928) and EM(Hot Sevens) (1927) transformed jazz into a modern art form from something much less than that. Like Bessie Smith (see later) and Robert Johnson (see later), a student of Armstrong needs to have a strong constitution to listen to his music because of the antique studio technology (that predates microphones) used to produce it. Listen my child and you will be rewarded!

28 =

The following jazz artists are all roughly equal to each other (in order of increasing year of birth):

Louis Armstrong and the above three artists anticipated today’s multi-talented rock musician Prince (see later).

31 

Jimi Hendrix whose album EM(Axis: Bold as Love) (1967) laid the foundations for all rock / punk / metal / grunge bands that followed him such as (in alphabetical order): Def Leppard (see later), Guns N’ Roses (see later), Hüsker Dü (see later), Led Zeppelin (see later), Metallica (see later), Nirvana (see later), The Sex Pistols (see later) and New Zealand’s own Shihad. Here is what Laura Connelly of EM(The Wire) had to say about Axis:

QQ(DOTS it has the most focused and compositionally mature material DOTS APOS(It)s APOS(rock)s most complete statement - it has tenderness, aggression, beauty and dirt. No-one before or since has touched that plane.)

32 

Jack Kerouac, born as Jean-Louis Lebris de Kérouac, for writing EM(On the Road) (1957) which is based on the spontaneous cross-country adventures of Kerouac and his friends during the middle of the Twentieth Century.

33 

Robert Penn Warren for writing EM(All the King’s Men) (1946) portrays the dramatic political ascent and governorship of Willie Stark, a driven cynical populist in the American South during the 1930’s.

34 

Jules Verne is EM(The Father Of Science Fiction) who wrote: EM(From the Earth to the Moon) (1865), EM(Around the Moon) (1870), and EM(Twenty Thousand Leagues Under the Sea) (1870) and EM(Around the World in Eighty Days) (1872). Curiously enough his book Twenty Thousand Leagues Under the Sea the phrase QQ(twenty thousand leagues) measures in horizontal distance travelled rather than vertical distance that you might naturally assume.

35 

Harper Lee for writing the Pulitzer Prize winning book EM(To Kill a Mockingbird) (1960). Here is a precis of the book:

QQ(Shoot all the blue-jays you want if you can hit APOS()em but remember APOS(it)s a sin to kill a Mockingbird. Atticus Finch gives this piece of advice to his children as a defends the real Mockingbird of this classic novel --- a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues or race and class in the Deep South of the APOS(1930)s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped in prejudice and hypocrisy.)

36 

John Coltrane who did some exquisite work with Miles Davis in EM(Kind of Blue) (1959) (see earlier) and spent the rest of his career elaborating on this style. His best albums include (in order of decreasing merit): EM(A Love Supreme) (1965), EM(Giant Steps). 1960 and EM(Ascension) (1965). Here is what Philip Watson of EM(The Wire) had to say about his greatest album, EM(A Love Supreme):

QQ(Flawed, even considered by some to be the most over-estimated record in jazz, A Love Supreme remains one of the APOS(music)s most personal experiences. It is Coltrane opening his soul and laying it bare. It is the hymnic expression of a APOS(musician)s profound devotion - both to his craft and his God. It is the great sound of an anguished, soaring legato. It is a quartet at the height of its considerable individual and collective power. Beguiling and transporting, A Love Supreme reaffirms APOS(music)s ability to embrace the spiritual.)

37 

John Steinbeck for writing (in order of increasing year of creation): EM(Of Mice and Men) (1937), EM(The Grapes of Wrath) (1939) (winner of the Pulitzer Prize) and EM(Cannery Row) (1945) and EM(East of Eden) (1952).

38 

James T. Farrell, short for James Thomas Farrell, for writing EM(Studs Lonigan (trilogy)) (1935) which is a masterwork of the Depression years.

39 

George Orwell for writing EM(Nineteen Eighty-Four) (1945), a dystopian novel about life under an all powerful authority figure known as EM(Big Brother) and EM(Animal Farm) (1949) an allegorical novella where the pigs stand for the political figures of the Russian revolution.

40 

Robert Graves for writing EM(I, Claudius) (1934) the twentieth century’s classic historical novel.

41 

Ernest Hemingway (winner of the Nobel Prize for Literature) for writing EM(For Whom the Bell Tolls) (1940) which is a story about an American Robert Jordan who is assigned the task of blowing up a bridge in World War I Spain. His other books EM(The Sun Also Rises) (1926) and EM(The Old Man and the Sea) (1954) are great too.

42 

Virginia Woolf for writing EM(To the Lighthouse) (1927) which centers on the Ramsays and their visits to the Isle of Skye in Scotland between 1910 and 1920.

43 

Theodore Dreiser for writing EM(An American Tragedy) (1925) which is about a murder that takes place in America in 1906. He was a major influence on William Faulkner (see later), F. Scott Fitzgerald (see earlier), Saul Bellow (see later) and Joyce Carol Oates. His other book EM(Sister Carrie) (1900) is worth a read too.

44 

Carson McCullers for writing EM(The Heart is a Lonely Hunter) (1940) about the moral isolation in a small southern mill town in the 1930s.

45 

Kurt Vonnegut short for Kurt Vonnegut, Jr., for writing EM(Slaughterhouse-Five) (1969) about the World War II experiences of a soldier named Billy Pilgrim.

46 

Ralph Ellison for writing EM(Invisible Man) (1952) which is a story about an unnamed African American man who considers himself to be socially invisible.

47 

Richard Wright, short for Richard Nathaniel Wright, for writing EM(Native Son) (1940) which is among the first American works of fiction to portray an existential hero in the process of self-transcendence and is one of the last novels of the politically conscious, post-Depression years. Here is what the EM(New York Times) said about it: QQ(EM(Native Son) declares Richard APOS(Wright)s importance, not merely as the best Negro writer, but as an American author as distinctive as any DOTS)

48 

Saul Bellow for writing EM(Henderson the Rain King) (1959) which is about a millionaire who explores Africa. This book won the Nobel Prize for Literature.

49 

John O’Hara for writing EM(Appointment in Samarra) (1934) which is about the self destruction of a man named Julian English, once a member of the social elite of Gibbsville, a fictionalised version of Pottsville, Pennsylvania.

50 

John Dos Passos for writing EM(U.S.A trilogy) (1938), an unforgettable collective portrait of America in the first half of the twentieth century.

51 

Sherwood Anderson for writing EM(COMMA(Winesburg) Ohio) (1919). Here is what Malcom Cowley said about this book:

QQ(The only storyteller of a generation who left his mark on the style and vision of the generation that followed DOTS Hemingway, Faulkner, Wolfe, Steinbeck, Caldwell, Saroyan, Henry Miller DOTS each of these owes an unmistakable debt to Anderson.)

52 

E. M. Forster, short for Edward Morgan Forster, for writing EM(A Passage to India) (1924). which is inspired by the true story of events taking place at the height of the Indian independence movement in 1924.

53 

Henry James for writing EM(The Wings of the Dove) (1902), EM(The Ambassadors) (1903) and EM(The Golden Bowl) (1904).

54 

Joseph Conrad, born as Józef Teodor Konrad Korzeniowski, for writing EM(Nostromo: A Tale of the Seaboard) (1904) which is set in the fictitious South American republic of QQ(Costaguana). His other book EM(Heart of Darkness) (1902) is good too.

55 

Graham Greene for writing EM(the Heart of the Matter) (1948). Here is a precis of the book:

QQ(Scobie, a senior police officer serving in the war-time West African state, is distrusted, being scrupulously honest and immune to bribery. But then he falls in love, and in doing so he is forced to betray everything he believes in and stands for, with drastic and tragic consequences for both himself and for those around him.)

56 

William Golding for writing EM(The Lord of the Flies) (1954) which is a story about a plane full of children crashing on a remote island.

57 

James Dickey for writing EM(Deliverance) (1970), a novel about four men who embark on a on a canoe trip down a wild section of river in the heartland of America’s South.

58 

Nevil Shute for writing EM(A Town Like Alice) (1950) which is a page-turner of a novel about Jean Paget and her experiences in the Second World War in Malaysia which is inspired by a true story.

59 

Jack Schaefer for writing EM(Shane) (1949) which was named in 1985 by the Western Writers of America to be the best Western novel ever written.

60 

Arthur Koestler for writing EM(Darkness at Noon) (1940) is a story about a man Rubashov who is imprisoned and trialled for treason by a government whose rise he helped to create.

61 =

Isaac Asimov, Arthur C. Clarke, and Robert A. Heinlein, are the magic three when it comes to merit in Science Fiction.

64 

Orson Scott Card for writing EM(Ender’s Game) (1985) and its subsequent sequels: EM(Speaker for the Dead), EM(Xenocide), EM(Children of the Mind) and EM(Ender in Exile). Card’s writing has an ease of reading that makes you want to turn the pages without a rest. The dialogue is realistic including the use of humorous exchanges between characters but without too much of the excessive QQ(cleverness) of Jane Austen (see earlier).

65 

Malcolm Lowry for writing EM(Under the Volcano) (1947) which is a Faustian masterpiece.

66 

Bessie Smith is also known as QQ(EM(The Empress of the Blues)). Preserved for posterity in 160 scratchy 3-minute recordings (1923-1933), her voice was a EM(Force of Nature): strong, draggy and rough and even the antique studio technology of her time cannot hide her raw talent. Some of her singing (the songs marked *) grabs you by the private parts until it hurts which takes some getting used to, but when you do it is like Bob Dylan’s EM(Highway 61 Revisited) (see earlier) and Richard Wagner’s EM(Ring Cycle) (see earlier) in how it opens up a whole new sound world. Bessie also possessed other talents such as a jazz singer’s ability reshape notes and lyrics to stamp her own interpretations on the songs she sung. Here are her ten best works (in order of decreasing merit):

  1. QQ(The St. Louis Blues*) (1925) with Louis Armstrong (see earlier) shows two stars at the peak of their powers, playing note for note against each other and challenging each other like geniuses need to be challenged to reach henceforth unattained heights of musical genius.

  2. QQ(You’ve Been A Good Ole Wagon*) (1925)
  3. QQ(Work House Blues*) (1924)
  4. QQ(House Rent Blues*) (1924)
  5. QQ(Down Hearted Blues) (1923)
  6. QQ(Frankie Blues*) (1924)
  7. QQ(Moonshine Blues*) (1924)
  8. QQ(Aggravatin’ Papa) (1923)
  9. QQ(Beale Street Mama) (1923)
  10. QQ(Weeping Willow Blues*) (1924)

Because of her talents, she was hugely influential on later women singers such as Billie Holiday (see the next entry), Janis Joplin, Edith Piaf and Aretha Franklin (see later). Read this true story about Bessie’s antics:

QQ(DOTS we were in the kitchen in this house and she beat up this man who was trying to get fresh with us. Well, he waited for us outside, and suddenly jumped out of the dark and stabbed Bessie with a great big knife right in her side. Bessie just groaned a little bit, then she chased that man for about three blocks, holding her side to keep the blood in PAD and that knife was still in her when she finally collapsed on the ground.)

Bessie survived this attack but died later in a car accident.

67 

Billie Holiday whose achievement as a jazz singer in its way rivals that of Bessie Smith. Her greatest period was the 1930’s, repackaged as the EM(Quintessential Billie Holiday) series on Columbia Records. As microphones had only been invented recently after Bessie stopped recording and recently before Billie started recording, the quality of sound is one notch higher than what was available during Bessie’s era, accommodating a wider range of musical frequencies and making a band of players for the first time in a recording sound somewhat realistic. While Bessie anticipated jazz singers in her sometimes jazz-like style of singing, it was Billie who first took these ideas minus the Force of Nature voice of Bessie and plus more jazz idioms to define jazz singing for all artists who would follow in the genre including Ella Fitzgerald (see later) and others.

68 

Robert Johnson was a famous EM(Delta blues) singer whose 41 scratchy 3-minute recordings (1935-1936) all sound as faint as the traces of steam on a window. He also excelled in making a single musician (himself with guitar and vocals) sound like a whole band of players. Read this lyric of Johnson:

QQ(You can squeeze my lemon ’till the juice runs down my leg.)

69 =

Philip Glass for his works like EM(Music in Twelve Parts) (1971-1974) which show how repetition can be the basis for a great work of art. Most people I know consider this repetition to be boring and even maddeningly annoying but inside the repetition lies patterns which can be interesting to listen to. For example of the transitions from one track to the next, Andrew Porter wrote in 1978 for EM(The New Yorker):

QQ(A new sound and a new chord suddenly break in, with an effect as if one wall of a room has suddenly disappeared, to reveal a completely new view.)

Repetition in music is not new. Consider for example the repetition in George Frideric Handel’s EM(Messiah) (1741). Glass’ opera EM(Einstein on the Beach) (1976) is great too. Music in Twelve Parts is rivalled only by Steve Reich’s treatise on rhythm, EM(Drumming) (1970).

72 

James Brown, also known as QQ(EM(The Godfather of Soul)), was very innovative in creating a sound that would come to define pop, soul, rap and hip-hop music for succeeding generations. Here is what EM(The Rolling Stone Album Guide) had to say about him:

QQ(James Brown may never have captured the AHREF(http://en.wikipedia.org/wiki/Zeitgeist, zeitgeist) as Elvis Presley SQ(see the next entry) or The Beatles SQ(See earlier) did, nor can he be said to have dominated the charts like Stevie Wonder SQ(see later) or the Rolling Stones SQ(see later), but by any real measure of musical greatness PAD endurance, originality, versatility, breadth of influence PAD he rivals or even betters them all DOTS And even though none of the 44 singles he put into the Billboard Top 40 ever made it to #1 DOTS in retrospect, that reflects worse on the pop audience that it does on his music.)

Like blues singer Bessie Smith (see earlier) James’ singing has a crotch grabbing property but when you get used to it, like (see earlier) Richard Wagner, Bob Dylan and Bessie Smith, it opens up a new sound world. His definitive output can be found in EM(Star Time) (Recorded 1956-1984, Released 1991) a compilation of four C.D.’s.

73 

Elvis Presley is also known as QQ(EM(The King of Rock ’n’ Roll)) or simply QQ(EM(The King)). He captured the zeitgeist for teenagers of the 1950’s just like The Beatles (see earlier) did in the 1960’s and Nirvana (see later) did in the 1990’s. He also started a tradition of white men singing black music that would later include such artists as The Rolling Stones (see later) and Eminem. He is also one of rock music’s strongest, deepest sources, influencing such luminaries as The Beatles (see earlier) and Bob Dylan (see earlier).

74 

Frank Sinatra, born as Francis Albert Sinatra, (jazz/swing singer) for producing EM(Songs for Swingin’ Lovers) (1956). Here is what Richard Cook of EM(The Wire) had to say about it:

QQ(APOS(Sinatra)s albums for Capitol introduced the APOS(singer)s album, the concept album and the grown-up album all at once. AHREF(http://en.wikipedia.org/wiki/In_the_Wee_Small_Hours, EM(In the Wee Small Hours) (1955)) was the first lonely LP, and Sinatra made arguably greater albums in the later SQ(in order of decreasing year of composition) AHREF(http://en.wikipedia.org/wiki/No_One_Cares, EM(No One Cares) (1959)) and AHREF(http://en.wikipedia.org/wiki/Where_Are_You?_(Frank_Sinatra_album), EM(Where Are You?) (1957)), but EM(Swinging Lovers) is the best-remembered, and the most sheerly enjoyable. The voice has matured into a lustrous tenor-baritone, every word carefully sung, and meaning and resonance was imparted with urbane, wordly wisdom. APOS(Capitol)s engineers did the occasion proud.)

75 

Chuck Berry (rock singer). Elvis Presley (see earlier) owes a great debt to this artist. Here is what Mike Atherton of EM(The Wire) had to say about him:

QQ(Berry could rock with the best of them, but his singing was never frantic: the cool, detached and humorous observer, he let his songs (like QQQ(Maybelline) and QQQ(School Day)) speak for themselves. That they had the musical and lyrical strength to do so it proven by the myriad of artists who have since recorded the songs which he spawned in the golden decade 1955-65.)

76 

Charles Mingus whose work EM(The Black Saint and the Sinner Lady) (1963) is one of the most ambitious jazz compositions of all time and is a rival to Duke Ellington (see earlier).

77 

Cecil Taylor for producing the free jazz albums (in order of increasing year of composition) EM(Unit Structures) (May 1966), EM(Conquistador!) (October 1966) and EM(In Florescence) (1989).

78 

Marilyn Monroe, born as Norma Jeane Mortenson, who acted with perfection the role of the dumb blonde and whose frank sexuality set the stage for female artists to explore female sexuality like Patti Smith (see later), Madonna (see later), The Spice Girls and today’s Pink.

79 

Samuel Butler for writing EM(The Way of All Flesh) (1903). This book is about QQ(the awkward but likeable son of a tyrannical clergyman and a priggish mother,   destined to follow his father into the church, DOTS SQ(he) gleefully rejects has parents’ respectability and chooses instead to find his own way in the world.)

80 

William Faulkner, short for William Cuthbert Faulkner, winner of the Pulitzer Prize and the Nobel Prize for literature, for writing (in order of increasing year of publication): EM(The Sound and the Fury) (1929), EM(As I Lay Dying) (1930), EM(Light in August) (1932), EM(Intruder in the Dust) (1948), EM(A Fable) (1955), winner of the Pulitzer Prize, EM(The Town) (1957), EM(The Mansion) (1959) and EM(The Reivers) (1962), winner of the 1963 Pulitzer Prize for Fiction.

81 

Jung Chang for writing EM(Wild Swans : Three Daughters of China) (1991) which is a story about the lives of three generations of Chinese women living under the despotic rule of Chairman Mao Zedong. Not surprisingly, this book was banned in China but it also won the NCR Book Award.

82 

Anthony Powell, born as Anthony Dymoke Powell, for writing EM(A Dance to the Music of Time) which is a series of 12 novels published in four QQ(movements), Movement 1 in 1951, Movement 2 in 1957 and Movement 3 in 1964. The Canterbury Public Library does not have Movement 4 so I am unable to read it.

83 

Henry Miller for writing EM(Tropic of Cancer) (1934). According to Wikipedia: QQ(It is widely regarded as an important masterpiece of 20th-century literature.)

84 

Evelyn Waugh, born as Arthur Evelyn St. John Waugh, for writing EM(Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder) (1945). His other book EM(A Handful of Dust) (1934) is not bad either.

85 

E.L. Doctorow short for Edgar Lawrence Doctorow, for writing EM(Ragtime) (1975). The New York Times said of it: QQ(Excellent DOTS One devours it in a single sitting), although I devoured it in two sittings.

86 

Arnold Bennett for writing EM(The Old Wive’s Tale) (1908). Here is a quote from the back of the book: QQ(An immediate success on its publication in 1908, The Old APOS(Wive)s Tale is a fascinating, beautifully created exploration of the impact of environment on the lives and emotions of two women.)

87 

Thornton Wilder for writing EM(The Bridge of San Luis Rey) (1927).

88 

Philip Roth for writing EM(Portnoy’s Complaint) (1969). The Guardian called it: QQ(The most outrageously funny book about sex yet written.)

89 

Dashiel Hammett, short for Samuel Dashiell Hammett, for writing EM(The Maltese Falcon) (1930). Here is a quote from the book: QQ(André Gide once said: QQQ([Dashiel Hammett's dialogue, in which every character is trying to deceive all the others and in which the truth slowly becomes visibile through the haze of deception, can be compared only with the best in Hemingway.]))

90 

Edith Wharton, born as Edith Newbold Jones, for writing EM(The Age of Innocence) (1920), winner of the 1921 Pulitzer Prize for Literature, which the The New York Times said: QQ(Eidth Wharton is a writer who brings glory on the name of America, and this is her best book. It is one of the best novels of the twentieth century DOTS a permanent addition to literature.)

91 

Max Beerbohm, born as Maximilian Beerbohm, for writing EM(Zuleika Dobson, or, an Oxford love story) (1911).

92 

Walker Percy for writing EM(The Moviegoer) (1961). winner of the U.S. National Book Award.

93 

Willa Cather, born as Willa Sibert Cather, for writing EM(Death Comes for the Archbishop) (1927). The Sunday Times said about it: QQ(A powerful piece of writing, rich with the essence of a poor but beautiful country with a simple yet dignified people.)

94 

James Jones for writing EM(From Here to Eternity) (1951), winner of the 1952 U.S, National Book Award. The New York Times said about it: QQ(A blockbuster of a book DOTS raw and brutal and angry.)

95 

John Cheever for writing EM(The Wapshot Chronicle) (1957). His other books, EM(The Wapshot Scandal) (1965), EM(Bullet Park) (1969), EM(Falconer) (1977) and EM(Oh What a Paradise It Seems) (1982) are not too bad either.

96 

J.D. Salinger, short for Jerome David Salinger, for writing EM(A Catcher in the Rye) (1951) which is the story of about a certain Holden Caulfield. It deals with complex issues of identity, belonging, connection and alienation.

97 

Anthony Burgess, born as John Anthony Burgess Wilson, for writing EM(A Clockwork Orange) (1962) a story of a punk who enjoys ultra-violence and Beethoven. Burgess invented a new street language borrowed from Cockney rhyming slang: EM(in out in out) means sex and cigarettes are called EM(cancers)!

98 

W. Somerset Maugham for writing EM(Of Human Bondage) (1915). The is what The Daily Mail said about it: QQ(A superb storyteller --- one of the very best in our language.)

99 

Sinclair Lewis for writing Main Street (1920). The London News called him QQ(The Dickens of America).

100 

Edith Wharton for writing EM(The House of Mirth) (1905). Here is a quote from the book: QQ(Edith Wharton's masterful novel is a tragedy of money, morality and missed entertainment.)

101 

Lawrence Durell, for writing EM(The Alexander Quartet) (1957). The New York Times Book Review said of it: QQ(One of the most important works of our time.)

102 

Richard Hughes, born as Richard Arthur Warren Hughes, for writing EM(A High Wind in Jamaica) (1929). According to the back cover,

QQ(DOTS this classic and bestselling tale did away with sentimental Victorian visions of childhood and paved the way for later works such as APOS(Golding)s EM(Lord of the flies) SQ(see earlier).)

103 

Sly Stone, born as Sylvester Stewart, for founding the group Sly and the Family Stone and producing his EM(Greatest Hits) album (1970). Although Sly Stone is great in himself he still owes a considerable debt to James Brown (see earlier).

104 

Aretha Franklin is also known as QQ(EM(The Queen of Soul)). Her music is like a rock and roll version (and therefore more accessible to today’s audience) of blues singer Bessie Smith (see earlier). As well as having a voice that is less rough than Bessie’s, her music is sweetened with a chorus of smoother backing singers. The net result of this is that it wins her additional converts for those many people who only listen to QQ(pleasant) music and therefore only use music as a background to something more important, instead of what I use music for: to soothe my (teenage) angst (which is why so many of us like Nirvana’s (see later) QQ(Smells Like Teen Spirit)). It would be interesting to speculate how much of an influence Bessie was to Franklin given that their styles of singing share so much in common. The superiority of Franklin over Otis Redding (see the next entry) can be witnessed by the song EM(Respect), which was first written and sung by Redding but reshaped and taken over so completely by Franklin that most people today identify the song with Franklin rather than Redding. Her definitive output can be sound in the Queen of Soul: The Atlantic Recordings (Recorded 1967-1976, Released 1992), a compilation of four C.D.’s.

105 =

Otis Redding, born as Otis Ray Redding, Jr, Marvin Gaye, born as Marvin Pentz Gay Jr., and Stevie Wonder, born as Stevland Hardaway Judkins. This entry is like a battle between rival record companies Tamla-Motown and Stax-Volt-Atlantic, Redding (along with Aretha Franklin, see the previous entry) heralding from the rawer sounding Stax/Volt/Atlantic label and the other two from the more commercial Motown label. All of these singers anticipated black singers like Michael Jackson (see later) and revolutionary rappers Public Enemy (see later) and today white rappers like Eminem. Marvin Gaye’s best albums include (in order of decreasing merit): EM(Let’s Get It On) (1973) and EM(What’s Going On) (1971). Here is what Nick Coleman of EM(The Wire) had to say about EM(Let’s Get It On):

QQ(APOS(You)re not supposed to like this one best, but then neither are you supposed to think sex is more interesting than politics. Gaye had already kick-started the concept of the black concept album with EM(APOS(What)s Going On) two years previously. Yet that album, magnificent rhetorical statement that it is, is only a statement; it is emblematic of a state of mind. APOS(Let)s Get It On is the thing itself, a musical fucking session that dares to include all the worry stuff - from seduction doubtle-talk to post-coital ash-raking, via the existential value of cuddling and the certainty of death, Gloomy? You got it. Not to mention dark, lush, tremulous, churchy and too short. Soul has never been so concentrated. Gaye packs all its big themes (plus several of the smaller ones) into barely half an APOS(hour)s-worth of densely figured narratives, in which the central protagonist writhes like the moral lover of medieval Romance and the ensemble lifts up his voice like a chalice. The title-track, incidentally, includes the best-sited hand-claps in recorded history.)

Stevie Wonder’s best classic albums include (in order of decreasing merit): EM(Innervisions) (1973) EM(Songs in the Key of Life) (1976) and EM(Talking Book) (1972). Here is what Laura Connelly of EM(The Wire) had to say about EM(Innervisions):

QQ(Despite APOS(Wonder)s plethora of deeply funky soul recordings APOS(there)s no dispute that Innervisions is his classic. Inherently tuneful tracks not only groove like crazy but are steeped with not-quite-naive social statements - QQQ(Living In The City) the prime example - that make it all the more moving. Introspective, melancholy, sassy and uplifting, it transcends all notions of soul as schmaltz. It may have come out of the fashions of the 70s but it still sounds fresh and relevant in the 90s. Timeless music (the imitations are too numerous to count).)

Otis Redding’s best albums are (in order of decreasing merit): EM(Otis Blue: Otis Redding Sings Soul) (1965) and EM(Otis Redding: The Soul Album) (1966). The superiority of Redding over The Rolling Stones (see the next entry) can be witnessed by Redding’s song EM(Satisfaction) (1965-1966), which was first written and sung by The Stones under the longer name QQ((I Can’t Get No) Satisfaction) (1965) but was renamed and so completely reshaped by Redding that it blows even The Stones’ version out of the water!

108 

The Rolling Stones who are probably the world’s most successful rock band due to their longevity. The Stones are successful at emulating the success of black singers such as Muddy Waters (see later) whose song QQ(Rollin’ Stone) forms the name of the group. Their best albums are, in order of decreasing merit:

  1. EM(Let It Bleed) (1969)
  2. EM(Exile on Main St.) (1972)
  3. EM(Beggars Banquet) (1968)
  4. EM(Aftermath) (1966)

109 

William S. Burroughs short for William Seward Burroughs, for writing EM(Naked Lunch) (1959) which is a story about an intravenous drug user.

110 

Jack London, born as John Griffith Chaney for writing EM(The Call of the Wild) (1903).

111 

Ford Madox Ford, born as Ford Hermann Hueffer, for writing EM(The Good Soldier: A Tale of Passion) (1915) which tells the tale of two wealthy couples, one English, one American, as they travel, socialize and take the waters in the spa towns of Europe. His other book EM(Parade’s End) (1924-8) is not too bad either. According to Wikipedia, QQ(Mary Gordon labelled it as QQQ(quite simply), the best fictional treatment of war in the history of the novel)

112 =

Emily Brontë for writing EM(Wuthering Heights) (1847).

115 =

Public Enemy borrows heavily from James Brown (see earlier) but they are good enough to deserve a place on this list. Their three best albums are all classics of the genre (rap), here they are in order of decreasing merit:

  1. EM(It Takes a Nation of Millions to Hold us Back) (1988)
  2. EM(Fear of a Black Planet) (1990)
  3. EM(Apocalypse 91 DOTS The Enemy Strikes Black) (1991)

This decade 1985-1995 marks the golden age of hip-hop. Other groups that made groundbreaking perfomances in this decade include (in order of increasing year of composition): N.W.A. (short for Niggers With Attitude)’s EM(Straight Outta Compton) (1988), Run D.M.C.’s EM(Raising Hell) (1986). Arrested Development’s EM(3 Years, 5 months & 2 days in the Life of DOTS) (1992) According to EM(The Rolling Stone Album Guide), Run D.M.C were the:

QQ(DOTS first hip-hop act to break AHREF(http://en.wikipedia.org/wiki/MTV, APOS(M.T.V)s) forgiven but never forgotten colour barrier; the first hardcore hip-hop act to make canonical heavy metal; first and last hip hop act to collaborate with AHREF(http://en.wikipedia.org/wiki/Aerosmith, Aerosmith); first hip hop act to pull a major corporate endorsement and be on the cover of AHREF(http://en.wikipedia.org/wiki/Rolling_Stone, EM(Rolling Stone)))

118 

The Velvet Underground for releasing (in order of decreasing merit): EM(The Velvet Underground and Nico) (1967), EM(White Light / White Heat) (1969). Here is what the Wikipedia had to say about them:

QQ(The Velvet Underground was an American rock band, active between 1964 and 1973, formed in New York City by AHREF(http://en.wikipedia.org/wiki/Lou_Reed, Lou Reed) and AHREF(http://en.wikipedia.org/wiki/John_Cale, John Cale). Although experiencing little commerical success while together, the band is often cited by critics as one of the most important and influential groups of all time. In a 1982 interview AHREF(http://en.wikipedia.org/wiki/Brian_Eno, Brian Eno) made the oft-repeated statement that while the first Velvet Underground album may have sold only 30,000 copies in its early years, QQQ([everyone who brought one of those 30,000 copies started a band.]))

119 

Salman Rushdie for writing EM(Mignight’s Children) (1980).

120 

Ursula K. Le Guin short for as Ursula Kroeber Le Guin, for writing EM(The Left Hand of Darkness) (1965) which is a science fiction story set in the fictional Hainish universe which she inaugurated in 1966.

121 

Ken Kesey born as Kenneth Elton Kesey, for writing EM(One Flew Over the Cuckoo’s Nest) (1962) which is a story of life in a psychiatric hospital.

122 

Michael Jackson is also known as QQ(EM(The King of Pop)) and created the best-selling album of all time, EM(Thriller) (1982). What’s more impressive is that his album is still pleasurable to listen to, despite having been thrashed to death on popular music radio stations and the M.T.V. channel. The album had a budget of $750,000 and according to various sources, EM(Thriller) had sold over 65 million copies. His earlier album EM(Off the Wall) (1979) is great too.

123 

Madonna, short for Madonna Louise Ciccone, for creating her Greatest Hits Compilation EM(The Immaculate Collection) (1990), a pun on the term: EM(The Immaculate Conception). Here is what Hopey Glass of EM(The Wire) had to say about her:

QQ(Trailing baffled jealousy and rage, the Material Girl - a narcissist so pure she manifests as a holy little blasphemer - has transcended all previously possible woman-as-star roles in the entertainment industry. Not humble giver, but proud taker; not a prize but a threat. Within the plump plastic disco-throb of her hits (the chart 12 inch her mastered medium), mocking dance APOS(music)s supposed artistic passivity, she expertly deploys the producers who mould her "voice": apparently the manipulated object of the technology, APOS(she)s made herself - as CEO of her own huge operation - the ultimate speaking subject. Here, in her first number one, a blatant dance-sex double entendre shifts focus from her as loveslave-trader too you as perfect consumer. She has absolute control.)

124 

Patti Smith, born as Patricia Lee Smith, who was a key figure of the U.S. punk rock scene. Here is what Louise Gray of EM(The Wire) had about her debut album EM(Horses) (1975):

QQ(The album that saved rock, spawned punk and declaimed a pure, pearly white defiance of a subversion unseen (or heard) since Elvis first sang black. It took another three years before Smith, the waif-like poetess, named herself a QQQ(rock APOS()APOS(n) roll nigger), but the intention was always there, her dream-beat poetics articulate far beyond the shouts of anarchy! soon to echo through the otherwise empty UK. Van APOS(Morrison)s QQQ(Gloria) opened Horses, transformed into a thing both blasphemous and instinctual; the title track itself was an eight minute stream-of-consciousness ending in sonic orgasm. Interviewed, Smith said she prepared for shows by masturbating before going on stage - and no-one was surprised. Sexual freedom, the motor behind 60s rock, had never been like this before. Robert Mapplethorpe took the sleeve photo, which showed Smith a creature beyond gender, the APOS(music)s perfect pictorial analogue.)

125 

Led Zeppelin, a heavy metal band, for producing their fourth untitled studio album EM(Led Zeppelin IV) (1971) containing their famous masterwork EM(Stairway to Heaven). Here is what Simon Reynolds of EM(The Wire) had to say about it:

QQ(Contrary to received wisdom, Led Zep APOS(didn)t bastardize the blues: they aggrandised them, inflated them from porch-side intimacy to awe-inspiring monumentalism. Detached from their contemporary context (in which they could only seem a fascistic, brutalised perversion of rock) we can now only gasp and gape at the sheer scale and mass of APOS(Zep)s sound, never more momentous than on this LP - the megalithic priapism of QQQ(Black Dog), the slow-mo boogie avalanche of QQQ(When The Levee Breaks). But Zep were more than just heavy: both QQQ(Misty Mountain Hop) (slanted and enchanted acid-metal) and QQQ(Four Sticks) (a locked groove of voodoo-boogie) sound unlike anything recorded before or since.)

126 

The Soft Machine for producing the album EM(Third) (1970). Here is what Steve Lake of EM(The Wire) had to say about them:

QQ(Psychedelic London hatched just two bands of note: Syd APOS(Barrett)s Pink Floyd SQ(see later) and the Soft Machine, and only the Soft Machine had any musical intelligence. To lock into their world was to receive an education: following them diligently led a young listener directly to Terry Riley, Messaien, Cecil Taylor SQ(see earlier), Coltrane SQ(see earlier), electronic music, and British jazz (at one point Keith APOS(Tippett)s entire front line was in the group). By turns austere, charming and hot, hot, hot, Third, recorded 1970 and featuring an augmented Ratledge-Hopper-Wyatt-Dean line-up, was their finest hour. APOS(Wyatt)s conversationally intimate QQQ(Moon In June) balanced the labyrinthine complexities of APOS(Ratledge)s writing and the jazzier thrust of APOS(Hopper)s QQQ(Facelift). Saxophonist Elton Dean and Ratledge, a one-of-a-kind organist, delivered the knockout solos.)

127 

Frank Zappa, short for Frank Vincent Zappa, for producing EM(We’re Only In It For The Money) (1967). Here’s what David Ilic of EM(The Wire) had to say about it:

QQ(The most deeply wounding of APOS(Zappa)s satirical thrusts, right down to the cover art (with its barbed parody of the Sgt. Pepper SQ(see earlier) sleeve). All the same, while the lyrical jokes never fall short of their intended targets (both 60s hippy culture and the needling confrontation of the Generation Gap), APOS(it)s the musical comedy which gives the album worth; the affectionate parodies of fledgling 50s pop styles, and the curiosity of displacement, throwing Varese-style peculiars and other avantist classical asides into what was supposedly only a rock album. APOS(Zappa)s best works crammed in his many musical passions and preoccupations; this one combined them with unique precision.)

128 

Hüsker Dü, a heavy metal band, for creating their best known classic album EM(Zen Arcade) (1984). Here is what Wikipedia had so say about it:

Zen Arcade is the second studio album by the American punk rock band Hüsker Dü released in July 1984 on SST Records. Originally released as a double album on two vinyl L.P.’s Zen Arcade tells the story of a young boy who runs away from an unfulfilling home life only to find the world outside evern worse. The album incorporates elements of jazz, psychedelia acoustic folk pop and piano interludes, concepts rarely found in the world of hardcore punk. Zen Arcade and subsequent albums were instrumental in the creation of the alternative rock genre. The band would later abandon the hardcore punk style of melodic guitar-driven alternative rock. While not commercially successful, the influence of Zen Arcade has stretched beyond the underground music sphere. It is frequently listed on lists of the all time best rock and roll albums and it continues to have a cult following.

129 

Maria Callas, for bringing Bessie Smith’s (see earlier) style of singing into opera.

130 

Prince, short for Prince Roger Nelson, who sang and played all his instruments himself including guitar, keyboards, and saxophone. His greatest work can be found in order of decreasing merit: EM(Sign o’ the Times) (1987) and EM(Purple Rain) (1984). Prince owes a considerable debt to James Brown (see earlier) and Prince was fundamental in introducing the Minneapolis Sound.

131 

Ella Fitzgerald. Here is what Wikipedia said of her:

QQ(Ella Jane Fitzgerald DOTS was an American jazz vocalist with a vocal range spanning three octaves DOTS Often referred to as the QQQ(EM(First Lady of Song)), the QQQ(EM(Queen of Jazz)) and QQQ(EM(Lady Ella)), she was noted for her purity of AHREF(http://en.wikipedia.org/wiki/Tone_(linguistics), tone), impeccable AHREF(http://en.wikipedia.org/wiki/Diction, diction), AHREF(http://en.wikipedia.org/wiki/Phrase_%28music%29#Musical_phrasing, phrasing) and AHREF(http://en.wikipedia.org/wiki/Intonation_(linguistics), intonation), and a "horn-like" improvisational ability, particularly in her AHREF(http://en.wikipedia.org/wiki/Scat_singing, scat singing)).

Her definitive work can be found in volumes 1 and 2 of The Rodgers & Hart Songbook. Her total worldwide album sales exceeds 40 million copies.

132 

The Sex Pistols for producing their most famous classic debut album EM(Never Mind the Bollocks, Here’s the Sex Pistols) (1977) an album which kick started the genre now known as punk rock.

133 

Metallica for creating their classic self titled album EM(Metallica) (1991) also known as EM(The Black Album) owing to its colour being almost all black. On its release, the album received widespead critical acclaim and became the band’s best selling album. It contains their best known songs: QQ(Enter Sandman), QQ(The Unforgiven), QQ(Nothing Else Matters) and QQ(Wherever I May Roam). As of November 2014 the album has spent 328 weeks on the Billboard album charts, making it one of the top ten longest running discs of all time. Metallica is one of the QQ(big four) bands of thrash metal, alongside Megadeth, Anthrax and Slayer.

134 

Kurt Cobain for forming the group Nirvana for releasing their famous album EM(Nevermind) (1991) containing their best known song QQ(Smells Like Teen Spirit) (1991). Their next studio album EM(In Utero) (1993) is a classic. Here is a famous lyric from this album:

QQ(Teenage angst has paid up well, now APOS(I)m bored and old.)

This lyric encapsulates the appeal of their most famous song to angry young men, like what I used to be myself. Although The Sex Pistols (see earlier) were the inventors of punk rock, Nirvana was the first group to bring punk rock to a wide mainsteam U.S. audience and to create a new genre known as grunge also known as the QQ(Seattle Sound) owing to Nirvana heralding from Seattle.

135 

Bruce Springsteen. Here is what Wikipedia had to say about him:

QQ(Bruce Frederick Joseph Springsteen DOTS is an American singer and songwriter. He is best known for his work with the E-Street Band. Springsteen is widely known for his brand of poetic lyrics, AHREF(http://en.wikipedia.org/wiki/Americana_(music), Americana) AHREF(http://en.wikipedia.org/wiki/Working_class, working class) sometimes politically centered on his native New Jersey and his lengthy and energetic stage performances, with concerts from the 1970s to the present decade running over three hours in length.)

His greatest albums include (In order of decreasing merit): EM(Born in the U.S.A.) (1984) and EM(Born to Run) (1975), and EM(Nebraska) (1982). He has sold more than 120 million albums worldwide making him one of the best selling artists of all time.

136 

Dawn Upshaw who sings with a beautifully pure tone and for producing her best classic albums in order of decreasing merit: EM(I Wish it So), EM(Ayre), EM(Sings Rogers and Hart), EM(Sings Vernon Duke) and EM(The Girl With Orange Lips). Most people including myself were introduced to Dawn Upshaw when she beautifully sung the lead role in Henryk Górecki’s EM(Symphony of Sorrowful Songs) (1992) which sold over a million copies worldwide.

137 

Dame Julie Andrews who sings with impeccable diction, for producing the classic albums in order of decreasing merit: EM(My Fair Lady) (1956), EM(The Mary Poppins soundtrack) (1964) EM(The Sound of Music soundtrack) (1965) and EM(The King and I) (1992).

138 

Dame Elisabeth Schwarzkopf a singer who's tone is unmistakable and for producing her greatest hits collection EM(Diva).

139 

Dame Emma Kirkby, who sings with a beautiful tone. Her best work can be found in the album EM(The Pure Voice of Emma Kirkby).

140 =

Guiseppi Sanopoli conducted the definitive version of Wagner's Tannhäuser in 1989 for EM(Deutsche Grammophon). Featured singers include Plácido Domingo as Tannhäuser, Agnes Baltsa as Venus and Cheryl Studer as Elisabeth.

144 

Neil Young for producing (in order of decreasing merit): EM(After the Gold Rush) (1970), EM(Rust Never Sleeps) (1979) and EM(Everybody Knows this is Nowhere) (1969). Here is what Wikipedia had to say about him:

QQ(Neil Percival Young DOTS is a Canadian singer-songwriter and musician. He began performing in a group covering AHREF(http://en.wikipedia.org/wiki/The_Shadows, The Shadows) instrumentals in Canada in 1960 before moving to California in 1966, where he co-founded the band AHREF(http://en.wikipedia.org/wiki/Buffalo_Springfield, Buffalo Springfield) along with AHREF(http://en.wikipedia.org/wiki/Stephen_Stills, Stephen Stills) and AHREF(http://en.wikipedia.org/wiki/Richie_Furay, Richie Furay), later joining AHREF(http://en.wikipedia.org/wiki/Crosby_Stills_&_Nash, Crosby, Stills & Nash) as a fourth member in 1969. He forged a successful and acclaimed solo career, releasing his first album in 1968; his career has since spanned over 45 years and 35 studio albums with a continual and uncompromising exploration of musical styles. DOTS APOS(Young)s work is characterised by his distinctive guitar work, deeply personal lyrics and signature AHREF(http://en.wikipedia.org/wiki/Alto, alto) or high AHREF(http://en.wikipedia.org/wiki/Tenor, tenor). Although he accompanies himself on serveral different instruments, including piano and harmonica has idiosyncratic AHREF(http://en.wikipedia.org/wiki/Clawhammer, clawhammer) acoustic guitar playing are the defining characteristics of a varyingly ragged and melodic sound.)

145 

Muddy Waters, born as McKinley Morganfield, who was one of the first artists to electrify the blues, that is to say used electric guitars instead of the traditional acoustic guitars. His definitive output can be found in EM(The Chess Box), a compilation of three C.D.’s.

146 

P.J. Harvey, short for Polly Jean Harvey, for producing her classic debut album EM(Dry) (1992). This album contains themes of sexual liberation. The song QQ(Sheela-Na-Gig) rhymes QQ(Gonna wash that man right outta my hair), with QQ(Gonna take my hips to a man who cares!). Here is another lyric from the same song: QQ(He said QQQ([Wash your breasts, I don't want be unclean]). He said QQQ(please take your dirty pillows away from me!)) Here is what the Rolling Stone Album Guide said about her:

QQ(A guitar-toting AHREF(http://en.wikipedia.org/wiki/Succubus, succubus) with a remarkably elastic voice, Harvey found common ground in the blues and opera and made sexpot melodrama and metaphysical yearning sound kind of fun. If you look for sunnyness in your pop music, she may actually frighten you.)

Her more recent classic album EM(Stories from the city , Stories from the Sea) (2000) is aimed at a wider audience than Dry is.

147 

John Lee Hooker whose achievement as an electric guitarist rivals that of Muddy Waters (see earlier). His definitive output can be found in EM(The Ultimate Collection) (Recorded 1948 - 1990, Released 1991), a compilation of two C.D.’s.

148 

Bryn Terfel for producing the classic albums in order of decreasing merit: EM(Bad Boys) and EM(Simple Gifts).

149 

Def Leppard for producing their classic album EM(Vault: Greatest Hits) (1980-1995) an album with not a gram of filler or fat. This album compares favourably to Sly and the Family Stone’s Greatest Hits Album (see earlier) and Madonna’s Greatest Hits album (see earlier).

150 

Guns N’ Roses for producing their classic albums EM(Appetite for Destruction) (1987) and EM(Use Your Illusion I) (1991), which was nominated for a Grammy Award in 1992.

151 

Michael Stipe for forming the alternative rock group R.E.M.. Their best albums are all classics. Here they are (in order of decreasing merit): Murmur, Life’s Rich Pageant and Automatic for the People, widely considered to be one of the best albums of the 1990's.

152 

Yann Martel for writing the Man Booker prize winning novel EM(The life of Pi), which tells the story of the adventures of a boy named Pi, short for Piscine Patel. Most of the story is spent with Pi stranded on a life boat with a Bengalese Tiger who goes by the name of Richard Parker.

153 

Carl Orff for writing EM(Carmina Burana) (1937) which is a piece of cantata music that merges choral, symphonic and piano effects to create a unique and instantly recognizable work of art. Here is what Wikipedia said of it:

QQ(DOTS Carmina Burana represents one of the few box office certainties in the 20th Century repertoire.)

154 

John Williams who famously composed and conducted the theme music to the EM(Star Wars) movies. His thematic approach borrows from the notion of EM(Leitmotifs) which were a major feature in Richard Wagner’s Ring Cycle (see earlier). Leitmotifs also feature heavily in EM(The Lord of the Rings) movies, composed and conducted by Howard Shore.

155 

Paul Simon for producing his African inspired classic album, EM(Graceland) (1986)

156 

Johnny Cash for producing his best album EM(At Folsom Prison) (1968). According to the Recording Industry Association of America, the album has sold more than 3 million copies worldwide. Here is what Wikipedia had to say about him:

QQ(John R. QQQ(Johnny) Cash DOTS was a singer songwriter, actor, and author, widely considered as one of the most influential AHREF(http://en.wikipedia.org/wiki/American_people, American) musicians of the twentieth century. Although primarily remembered as a AHREF(http://en.wikipedia.org/wiki/Country_music, country music) icon, his genre-spanning songs and sound embrached AHREF(http://en.wikipedia.org/wiki/Rock_and_roll, rock and roll), AHREF(http://en.wikipedia.org/wiki/Rockabilly, rockabilly), AHREF(http://en.wikipedia.org/wiki/Blues, blues), AHREF(http://en.wikipedia.org/wiki/Folk_music, folk) and AHREF(http://en.wikipedia.org/wiki/Gospel_music, gospel). DOTS Cash was known for his deep AHREF(http://en.wikipedia.org/wiki/Bass-baritone, bass-baritone) the distinctive sound of his AHREF(http://en.wikipedia.org/wiki/The_Tennessee_Three, Tennessee Three) backing band, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts and trademark look, which earned him the nickname QQQ(The Man in Black). He traditionally began his concerts with the simple QQQ([Hello, APOS(I)m Johnny Cash]) followed by his signature QQQ(Folsom Prison Blues).)

157 

Dolly Parton, for producing her EM(Greatest Hits) album: EM(I Will Always Love You : The Essential Dolly Parton) (1995), certified as platinum by the Recording Industry Association of America. Here is what Wikipedia said about her:

QQ(Dolly Rebecca Parton DOTS is an American singer-songwriter, instrumentalist, author and philanthropist known primarily for her work in country music. DOTS m4_ignore(In 1999 she was inducted to the AHREF(http://en.wikipedia.org/wiki/Country_Music_Hall_of_Fame, Country Music Hall of Fame).) She has composed over 3,000 songs, the best-known of which include QQQ(I will always love you), two-time U.S. country chart topper for Parton as well as an international pop hit for AHREF(http://en.wikipedia.org/wiki/Whitney_Houston, Whitney Houston), QQQ(Jolene), QQQ(Coat of many colours), QQQ(9 to 5) and QQQ(My Tennessee Mountain Home).)

158 

Pink Floyd, a musically influential and commerically successful franchise: by 2013 the band had sold more than 250 million records worldwide. The franchise has had three different owner/operators: 1960’s Floyd, 1970’s Floyd and 1980’s Floyd. 1960’s Floyd, headed by Syd Barrett produced the classic album EM(The Piper at the Gates of Dawn) (1967). 1970’s Floyd, after the departure of Syd Barrett and headed by Roger Waters produced the classic albums EM(The Dark Side of the Moon) (1972-1973) (an album which remained in the best seller charts for nearly 15 years) and EM(Wish You Were Here) (1975). 1980’s Floyd (after the departure of Roger Waters in the mid 1980’s) and headed by David Gilmour produced nothing worth mentioning. Pink Floyd are often criticised for the prosaic and facile nature of their lyrics. Here is what Wikipedia had to say about them:

QQ(Pink Floyd were an English rock band formed in London. They achieved international acclaim with their AHREF(http://en.wikipedia.org/wiki/Progressive_rock, progressive) and AHREF(http://en.wikipedia.org/wiki/Psychedelic_rock, psychedelic) music. Distinguished by their use of philosophical lyrics, sonic experimentation, extended compositions and elaborate AHREF(http://en.wikipedia.org/wiki/Pink_Floyd_live_performances, live shows), they are one of the most commercially successful and musically influential groups in the history of popular music.)

159 

Mark Knopfler for founding the group Dire Straits for producing the classic album EM(Brothers in Arms) (1985). Here's what Wikipedia had to say about the album:

Brothers in Arms charted at number one worldwide, spending ten weeks at number one on the UK Album Chart (between 18 January and 22 March 1986), nine weeks at number one on the Billboard 200 in the United States, and thirty-four weeks at number one on the Australian Album Chart. The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide.


The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards. Q magazine placed the album at number 51 in its list of the 100 Greatest British Albums Ever. Brothers in Arms would become Dire Straits' final album until they reunited and recorded 1991's EM(On Every Street).

160 

Tracy Chapman for producing her classic self-titled debut album EM(Tracy Chapman) (1988).

161 

Eloisa James born as Mary Bly for writing EM(An Affair Before Christmas) (2007) which is part of the Desperate Duchess Series.

162 

Tom Clancy for writing EM(The Hunt for Red October) (1984) which is the story of a soviet submarine pilot defecting to the United States and taking a 1 billion dollar submarine with him.

163 

Henry Green is the pen-name of Henry Vincent Yorke who wrote the novels, in order of increasing year of composition: EM(Blindness) (1926), EM(Nothing) (1950) and EM(Doting) (1952).

164 

Carl Sagan for writing EM(Contact (1985)), a novel about communication with an extra-terrestrial intelligence.

165 

George R. R. Martin short for George Raymond Richard Martin, for writing EM(The Song of Ice and Fire) Pentalogy (1988). According to Wikipedia, QQ(in 2005, Lev Grossman of Time called Martin QQQ(the American AHREF(http://en.wikipedia.org/wiki/J._R._R._Tolkien, Tolkien))).

166 

James Baldwin, short for James Arthur Baldwin, for writing EM(Go Tell it on the Mountain) (1954).

167 

Cory Doctorow for writing EM(Little Brother) (2008) which tells the story of a bunch of computer hackers who attempt to bring down the U.S. Department of Home Security following the D.H.S.’s bugging of everyone under the pretext of searching for a few terrorists.

168 

Ben Elton, short for Benjamin Charles Elton, for writing EM(Gridlock) (1991), an amusing story from the writer of award-winning TV programs EM(Blackadder) and EM(The Young Ones). Here is an amusing quote from the book:

QQ(The more talkative killer began again, employing the accepted method of communication employed by the British whenever they encounter someone who does not appear to understand English. He raised his voice DOTS the curious theory that a strange language can be rendered understandable by increasing the volume at which it is spoken is one of the great mysteries of the British abroad.)

His other books EM(Stark) (1989) and EM(Popcorn) (1996) are worth a read too.

169 

Joe Klein for writing EM(Primary Colors) (1996) which is a story about the candidacy of a certain Jack Stanton for the Presidency of the United States. The novel was originally published under the name Anonymous.

170 

Dan Brown for writing EM(The Da Vinci Code) (2003) which is page turner of a novel about a Harvard University Professor who stumbles upon the location of the Holy Grail. His other books (in order of increasing year of publishing): EM(Angels & Demons) (2000), EM(Deception Point) (2001), EM(Digital Fortress) (2004) and EM(The Lost Symbol) (2009) are not too bad either.

171 

Stephen King is arguably the most popular novelist in the history of American fiction. He wrote EM(The Stand) (1978) which is about a super-flu that annihilates most of the world’s population and about a evil dark man who appears in people’s dreams. His other book EM(The Bachman Books) (1985) in which King writes under the pseudonym Richard Bachman is not too bad either. Here is what EM(The Sunday Telegraph) said about it: QQ(You can’t help admiring King’s narrative skills and his versatility as a storyteller).

172 

Bill Bryson is a humorous travel writer who wrote (among other books) EM(Notes from a Small Island) (1993) which is the true story of Bryson’s visit to England and EM(Down Under) (2000) about Bryson’s visit to Australia.

173 

Markus Zusak, short for Markus Frank Zusak, for writing EM(The Book Thief) (2005).

174 

Gary Larson, a surrealist cartoonist for writing EM(The Far Side Gallery 2) (1980) a humorous book about nerd animals that can talk and nerd people and what they talk about. Stephen King (see earlier) said of it: QQ(You could die laughing). According to Wikipedia, QQ(his twenty-three books of collected cartoons have combined sales of more than forty-five million copies)


I found the following useful to compose the above list:

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